The Evolution of Ancient Chinese Underwear: From Han Dynasty to Qing Dynasty

Introduction

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From Han Dynasty's "Baofu" to Qing Dynasty's "Dudou": Unveiling the Sexy Evolution of Ancient Chinese Underwear!

Have you ever wondered what ancient Chinese women wore as underwear? From the Han Dynasty's "Baofu" to the Qing Dynasty's "Dudou," ancient Chinese underwear was not just for covering the body but also a reflection of Eastern aesthetics! How did it evolve from simple practicality to a blend of sensuality and art? Today, let’s travel through millennia and uncover the secrets of ancient underwear, experiencing the unique charm of Chinese civilization!

Han Dynasty: Baofu and Xinyi

Underwear in the Han Dynasty mainly included "Baofu" and "Xinyi." Baofu was a type of underwear with straps at the top and bottom, wrapping around the abdomen without a crotch. Xinyi evolved from Baofu, replacing the thin straps with "hook shoulders" and a "crotch," while still leaving the back exposed. Both styles shared the characteristic of having no back panel, reflecting the Han people's pursuit of comfort and practicality.

Wei, Jin, and Northern and Southern Dynasties: Liangdang

"Liangdang" was a popular underwear style during this period. Unlike Baofu and Xinyi, Liangdang had a back panel, covering both the chest and the back. It was often made of thick brocade with cotton lining, originally a garment of northern nomadic tribes before spreading to the Central Plains. The emergence of Liangdang reflected the influence of ethnic integration on clothing culture.

Tang Dynasty: Hezi

The Tang Dynasty's "Hezi" was a strapless underwear, typically made of stiff yet elastic fabric called "Zhicheng." Hezi's design allowed women to achieve a lifted bust when wearing low-cut dresses, showcasing the Tang Dynasty's aesthetic preference for a fuller figure. The open style of Tang women's clothing, with underwear partially visible, bears a striking resemblance to today's trend of "underwear as outerwear."

Song Dynasty: Moxiong

The Song Dynasty's "Moxiong" was an undergarment that covered the chest and abdomen, fastened with buttons or straps. The material varied by social class: commoners used cotton, while nobles used silk adorned with floral embroidery. Moxiong's design emphasized modesty, reflecting the Song Dynasty's focus on propriety and etiquette.

Yuan Dynasty: Hehuanjin

"Hehuanjin" was an undergarment worn from the back to the front, fastened at the chest with buttons or ties. It was often made of brocade with continuous patterns, adding a decorative touch. The name "Hehuanjin" hints at its function as intimate wear, while also showcasing the exquisite craftsmanship of Yuan Dynasty clothing.

Ming Dynasty: Zhuyao

The Ming Dynasty's "Zhuyao" evolved from Moxiong, resembling a vest and worn from the back to the front, fastened with buttons at the front. Zhuyao's design emphasized waist-cinching effects, highlighting the curves of a woman's body. Ming women had a sophisticated understanding of body shaping, and the popularity of Zhuyao reflected the era's aesthetic trends.

Qing Dynasty: Dudou

Dudou became widely popular during the Qing Dynasty as a common undergarment for women. Typically diamond-shaped, it had a neck strap and two waist ties at the back, covering the navel and lower abdomen. Dudou was usually made of cotton or silk, with embroidered patterns ranging from love stories to themes of protection and fertility. Dudou was not just underwear but also carried women's blessings for family, love, and descendants.

Conclusion

From the Han Dynasty's Baofu to the Qing Dynasty's Dudou, the evolution of ancient Chinese underwear not only reflects advancements in clothing craftsmanship but also showcases the social culture, aesthetic ideals, and lifestyles of different historical periods. As intimate wear, underwear served both practical purposes and carried rich cultural significance, making it an essential part of ancient Chinese clothing culture.

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💥Keywords💥

Chinese-style underwear, Eastern aesthetics, Star8s, Hezi, Moxiong, Dudou, traditional culture, fashion design, embroidery craftsmanship, comfort and sensuality

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